In Saint Andrews, a unique initiative is unfolding—one that is not just about art, but about collective memory, identity, and civic engagement. The Saint Andrews Tapestry Project, led by Sara Brinkhurst and Bessie Bartlett, is transforming local history into an intricate, community-stitched masterpiece that tells the town’s story through embroidery. This grassroots effort is more than a creative project—it is a form of civic participation, giving residents a chance to contribute their own voices to the historical narrative.
A community woven together
At its core, this project is about empowering the people of Saint Andrews to take ownership of their shared history. Kits filled with hand-dyed wool, embroidery needles, and fabric sourced are given to participants of all backgrounds—seasoned stitchers and first-time embroiderers alike.
“It’s about getting as many community members involved as possible who might not normally engage in a creative project,” Bartlett explains.
The tapestry will reflect not only the well-documented colonial past of Saint Andrews but also the stories of Indigenous peoples, Irish immigrants, Black settlers, and other marginalized groups whose histories have often been overlooked.
“We definitely want input from people because it’s their story,” Brinkhurst emphasizes, reinforcing that this is a project built on inclusivity.
Art as a public record
The finished tapestry, expected to span 100 feet, will serve as a visual historical record, covering milestones from early Indigenous settlements to present-day Saint Andrews. Unlike traditional history books or plaques, this artwork will be an evolving, tactile chronicle—one that invites community participation and ensures that no one’s story is left untold.
Strengthening community resilience
Beyond preserving history, the Saint Andrews Tapestry Project is creating a space for civic engagement, storytelling, and intergenerational connection. It provides an opportunity for residents to collaborate across age, culture, and experience, reinforcing social bonds and a sense of belonging.
“It’s hard to find interests that really everybody can get behind,” Bartlett notes, but stitching together a shared history is proving to be a powerful unifier.
Sunbury Shores Arts and Nature Centre serves as the project’s home base and is supported by funding from the Town of Saint Andrews and the Paradox Foundation.
A legacy for future generations
As the tapestry takes shape, so too does a stronger, more connected community. “I think it will be good for their souls to do this. I think it’ll give them joy,” Bartlett reflects.
More than just an art installation, the Saint Andrews Tapestry will be a lasting testament to the town’s colourful history. Through collective storytelling and creative expression, the people of Saint Andrews are proving that history isn’t just something to be read—it’s something to be lived, shared, and stitched together, one thread at a time.
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